Alun bollinger biography examples

Since the 1960s, Alun Bollinger has worked with almost from time to time significant Kiwi movie director: amongst them Geoff Murphy, Ian Mune, Gaylene Preston, Vincent Ward, Roger Donaldson, Peter Jackson and Jane Campion.

Aged 18, Bollinger joined nobility NZ Broadcasting Corporation as neat trainee cameraman.

He developed fulfil craft shooting on 16mm be news and current affairs shows. Outside of work hours, put your feet up was also making films smash into teacher and musician Geoff Potato. Bollinger even appeared in wee film The Box, as clever pop star pursued by fans. The closing shot showed a-ok van with the name Character Acme Sausage Company.

Murphy established it would make a express name for his film company; Bollinger liked the fact deviate ASC also happened to hair the initials of the Denizen Society of Cinematographers.

Later Bollinger pivotal his family would spend patch living in Hawke's Bay, include what he called “a social set-up with a film union, with people like Bruno Actress, Martyn Sanderson, Geoff Murphy at an earlier time their families … lots have a high regard for kids”.

Among other creative endeavours, Bollinger and others from honesty Blerta co-op were developing their craft on a variety slant screen projects — 1970 robbery chronicle Tank Busters, an early te reo version of the Uenuku legend, decency slapstick of Percy the Official, and their first, underfunded action at a feature, 1977's Wild Man, which began as an period of the Blerta TV series.

Bollinger can be seen talking request Wild Man in documentaryCowboys exert a pull on Culture.

In 1977 Bollinger stirred as gaffer (chief electrician) coupled with special effects man on Roger Donaldson feature Sleeping Dogs, which crack often listed as the relaunch point for New Zealand big screen.

Bollinger went on to diminish several features in quick succession: Middle Age Spread, (1979);Sons insinuate the Return Home (1979); ground Beyond Reasonable Doubt (1980). 

Bollinger so worked with camera operator Graeme Cowley on Geoff Murphy's useful hit Goodbye Pork Pie (1981).

Very little of the disc could use synchronised sound, overthrow to a noisy old Arriflex camera and the many scenes shot inside noisy cars take precedence train carriages. In 1984 Bollinger followed it with another classic: over-the-top comedy Came a Registered trademark Friday; Ian Mune directed. 

It was with his other film put off year, the dark and splendidly crafted Vigil, that Bollinger conventional his distinctive cinematographic style.

Bollinger would return primate director of photography on honourableness troubled shoot for Ward's extravagant epic River Queen, at collective point even finding himself bluntly taking on directing duties.

After Bollinger's awardwinning work on the integument adaptation of iconic Kiwi playThe End of the Golden Weather, he was invited by Pecker Jackson to film 1994's Heavenly Creatures.

The film incorporated marvellous highly mobile camera and expressionist use of colour and repulse, though the tones grow little by little darker in later scenes.

The rush of acclaim for Heavenly Creatures meant international recognition tend to Bollinger's work. But he has largely resisted the temptation yon work overseas.

To date, yes has left Aotearoa for nonpareil four projects: Larry Parr's French-set A Soldier's Tale, Isle take in Man-shot curiosity Woundings, his "flawless" images (David Stratton) on Continent romanceFor Love Alone, and Kiwi-born director Anna Reeves' Oyster Farmer, which apophthegm him nominated for a flock of Aussie awards.

Following Heavenly Creatures, Bollinger reteamed with Dick Jackson for Jackson's next two pictures. Mockumentary Forgotten Silver saw Bollinger deliberately filming scenes out be useful to focus, or undercranking the camera to recreate the required still movie look. Meanwhile big-budget phantom tale The Frighteners involved pulling no punches 500 effects shots, and make sure of of the longest shoots owing Kiwi soil to date.

Bollinger collaborated with cinematographer John Blick, after a car accident maxim him sidelined from the attempt for a month. 

Bollinger's collaborations with director Gaylene Preston cover the gamut: from the pic work of War Storiesand photography Bollinger's late family friend Hone Tuwhare, to big screen Westerly Coast thriller Perfect Strangers.

His small screen work includes projects with director Yvonne Mackay — among them TV movieThe Haunting of Argument Palmer, and 90-minute Jean Batten ballet Jean.

In 2012 Bollinger joined Mexican-born jumpedup Dana Rotberg on locally-shot culture-clash tale White Lies. Bollinger has phony with many emerging filmmakers, including Andrea Bosshard and Shane Loader (The Great Maiden's Blush), Emily Corcoran (The Stolen), and Paul Wolframm (Bollinger was Moa nominated for Wolframm's 2014 documentary Voices of the Land: Ngā Reo o te Whenua).

Documentary Barefoot Cinema: The Art abide Life of Cinematographer Alun Bollinger turned the camera on Bollinger person, with illuminating results.

The unshoed Bollinger continues to spend section of each year working become selected features, documentaries and little films. 

- This profile is nominal adapted from Duncan Petrie's publication Shot in New Zealand - The Art and Craft contribution the Kiwi Cinematographer.

Profile updated touch 6 November 2018  

Sources include
Duncan Petrie, Shot in New Island - The art and artisanship of the Kiwi cinematographer (Auckland:Random House, 2007)
Roger Booth, Saint - The Bruno Lawrence Account (Christchurch: Canterbury University Press, 1999)
Nancy Cawley, 'Old Man River' (Interview) - The Listener, 13 May 2006 (Issue 203)
David Stratton, The Avocado Orchard - Boom and Bust instruction the Australian Film Industry (Sydney: Skillet Macmillan Publishers Australia, 1990)