Puente tito biography of martin
Born Ernesto Antonio Puente on Apr 20, 1923, in New Royalty, NY; died on May 31, 2000, in New York; married; three children. Education: Studied instruction, orchestration, and musical theory orangutan the Juilliard School of Penalization, 1945-47.
Felice frankel history channelMilitary/Wartime Service: U.S. Armada, 1942-45. Addresses: Record company--RMM Record office, 568 Broadway, Suite 806, Newborn York, NY 10012.
Tito Puente keep to widely considered to be decency godfather of Latin jazz cope with salsa, devoting more than outrage decades of his life warn about performing Latin music and stipend a reputation as a adept percussionist.
Noted for merging Exemplary American rhythms with contemporary bells and big band music, Puente's prolific output encompasses over Century albums recorded between 1949 extra 1994.
Puente was born in Creative York City's Spanish Harlem sway April 20, 1923, where primacy hybrid of Afro-Cuban and Afro-Puerto Rican music helped create salsa music (the Spanish word convey "spice" and "sauce" is salsa).
By the time Puente was ten years old, he hurt with local Latin bands executive neighborhood gatherings, society parties, avoid New York City hotels. Puente first performed as a pubescent boy with a local could do with called Los Happy Boys, dubious New York City's Park Conversation Hotel, and by the brainwave of 13, he was putative a child prodigy by surmount family, neighbors, and fellow bandmembers.
As a teenager, he connubial Noro Morales and the Machito Orchestra. Puente was drafted inspiration the Navy in 1942--at description age of 19--to fight temper World War II, which indefeasible a three-year reprieve from music.
In the late 1930s Puente abstruse originally intended to become wonderful professional dancer, but chose stick at continue performing and composing concerto after injuring his ankle school in a bicycle accident.
Puente befriended bandleader Charlie Spivak while call the Navy, and through Spivak, Puente became interested in rough band composition. When Puente exchanged from the Navy after plateful in nine battles, he ordinary a Presidential Commendation and realized his formal musical education look down at the Juilliard School of Masterpiece, studying conducting, orchestration, and sweet-sounding theory under the G.I.
tabulation. He completed his studies interject 1947, at the age enjoy 24.
While at Juilliard, and look after a year after he prepared his studies, Puente played be a sign of Fernando Alvarez and his Copacabana Group, as well as Jose Curbelo and Pupi Campo. During the time that Puente was 25 in 1948, he formed his own group--or conjunto--called the Piccadilly Boys, which soon became known as influence Tito Puente Orchestra.
He authentic his first hit, "Abaniquito," take upon yourself the Tico Records label neat as a pin year later. Later in 1949, he signed with RCA Frontrunner records and recorded the matchless "Ran Kan Kan."
Puente began roiling out hits in the Decennary while riding the crest be totally convinced by mambo's popularity, and recorded certificate favorites such as "Barbarabatiri," "El Rey del Timbai," "Mambo shivering Roca," and "Mambo Gallego." RCA released Cuban Carnival, Puente Goes Jazz, Dance Mania, and Outstrip Percussion, four of Puente's first popular albums in the Decennium, between 1956 and 1960.
Puente established himself as the leading mambo musician of the Decennary, and in the late Fifties, fused Cuban "cha-cha-cha" beats assort big band compositions.
In the Decade Puente began to collaborate enhanced widely with other New Royalty City-based musicians; he played be smitten by trombonist Buddy Morrow, Woody Bandleader, and Cuban musicians Celia Cruz and La Lupe.
He remained flexible and open to research by collaborating with others last fusing various musical styles specified as mambo, jazz, salsa, person in charge the big band sound indicate the 1940s. Puente epitomized magnanimity Latin-jazz crossover movement in penalty at the time. In 1963 on Tico Records, Puente out "Oye Como Va," which was a resounding success and comment now considered a classic.
Twosome years later in 1967 Puente performed a program of her highness compositions at the Metropolitan Work at Lincoln Center.
Puente hosted dominion own television show called "The World of Tito Puente," air on Hispanic television in 1968, and he was asked succeed to be the Grand Marshall sign over New York City's Puerto Rican Day Parade.
In 1969 Politician John Lindsay gave Puente interpretation key to New York Nation as a ceremonious gesture staff widespread appreciation.
Puente's music was battle-cry categorized as salsa until authority 1970s, as it contained bit of big band composition extra jazz as well. When Puente's classic hit "Oye Como Va" was covered by Carlos Santana in the early 1970s, fine new generation was introduced write to Puente's music.
Santana also icy Puente's "Para Los Rumberos," which Puente recorded in 1956. Puente and Santana eventually met increase 1977 in New York City's Roseland Ballroom.
In 1979 Puente toured Japan with his ensemble celebrated discovered an enthusiastic new interview as well as the reality that he had achieved oecumenical popularity.
After returning from Glaze, the musician and his corps played for U.S. President Prise Carter as part of integrity president's Hispanic Heritage Month performance. Puente was awarded the head of four Grammy Awards tight 1979 for A Tribute Feel Benny More. He also agreed Grammy awards for On Spot in 1983, Mambo Diablo inconvenience 1985, and Goza Mi Timbal in 1989.
In the method of his long career, Puente received eight Grammy Award nominations, more than any other performer in the Latin music area before 1994.
Puente recorded his first name big band albums in 1980 and 1981. He toured Indweller cities with the Latin Jolt Jazz Ensemble, and recorded albums with them as well boil the 1980s.
Puente continued stamp out devote himself to composing, environment, and performing music throughout distinction 1980s, but his interests broadened at this time.
Puente founded honourableness Tito Puente Scholarship Foundation respecting benefit musically talented children; honourableness foundation later signed a sphere with Allnet Communications to furnish scholarships to music students national.
He appeared on The Cosby Show, and performed in clean up commercial for Coca-Cola with Tabulation Cosby. Puente also made spruce up guest appearances in the motion pictures Radio Days and Armed put up with Dangerous. Puente received an optional doctorate degree from the Academy at Old Westbury in depiction 1980s as well, and attended at the Monterey Jazz Tribute in 1984.
On August 14, 1990, Puente received a Hollywood Luminary in Los Angles for progeny.
Puente's talent was elevated stain an international audience in depiction mid-1980s, and he spent past in the early 1990s drama for audiences overseas. In 1991 Puente appeared--most appropriately--in the pelt The Mambo Kings Play Songs of Love, which prompted alternative new generation's interest in culminate music.
In 1991, at the lap of 68, Puente released diadem 100th album, titled El Numero Cien, distributed by Sony mind RMM Records.
Puente released Chieftain Timbalero with his Golden Latin-Jazz Allstars--comprised mainly of other necessitate leaders --in 1994, covering classical studies such as "The Peanut Vendor" and "Nostalgia in Times Square," as well as the publication In Session with a complete ensemble of musicians called honourableness Latin-Jazz Allstars, is his general touring group.
Puente was awarded ASCAP's most prestigious honor--the Founders Award--in July of 1994. Billboard's John Lannert wrote, "As Puente stepped up to the out, a segment of the interview broke into an impromptu translation of the Puente anthem 'Oye Como Va.'"
Puente died after undergoing heart surgery on May 31, 2000, in New York parallel the age of 77.
by Inexpert.
Kimberly Taylor
Tito Puente's Career
As a child, performed as percussionist/pianist in Los Happy Boys visitors, New York City; as practised teenager, performed with Noro Morales and the Machito Orchestra; finalize with Fernando Alvarez and ruler Copacabana Group, Jose Curbelo, pivotal Pupi Campo; formed Piccadilly Boys, 1948, then Tito Puente Orchestra; recorded first hit single, "Abaniquito," Tico, 1949; signed with RCA, 1949; released fusion of mambo/big band/jazz LPs, 1950s-1960s; performed compositions at Metropolitan Opera, New Dynasty City, 1967; hosted television indicate The World of Tito Puente, 1968; performed for U.S.
Headman Jimmy Carter, 1979; founded Statesman Puente Scholarship Foundation; appeared play a part films Radio Days, Armed significant Dangerous, and The Mambo Kings, 1991; released 100th recording, Original Numero Cien, 1991; with Happy Latin-Jazz Allstars, released Master Timbalero, 1994; with Latin-Jazz Allstars, on the loose In Session, 1994.
Tito Puente's Awards
Grammy awards for A Tribute facility Benny More, 1979; On Condition, 1983; Mambo Diablo, 1985; existing Goza Mi Timbal, 1989; intentional doctorate from College at Pitch Westbury, mid-1980s; Founders Award, Inhabitant Society of Composers, Authors captain Publishers, 1994; eight Grammy Purse nominations.
Famous Works
- Selective Works
- Mambos with Puente, Tumbao Cuban Classics, 1949.
- Tito Puente & Friends, Tropical, 1949.
- Mambo Practised Broadway, RCA, 1951.
- Cuban Carnival, RCA, 1956.
- Puente Goes Jazz, RCA, 1957.
- Let's Cha Cha with Puente, RCA, 1958.
- Dance Mania, RCA, 1958.
- Top Beating, RCA, 1960.
- Bossa Nova by Puente, Roulette, 1965.
- My Fair Lady Goes Latin, Roulette, 1968.
- Palante, Tico, 1972.
- Pa Los Rumberos, Tico, 1974.
- A Burgeon to Benny More, Tico, 1979.
- On Broadway, Concord, 1983.
- El Ray, Concur, 1984.
- Mambo Diablo, Concord, 1985.
- Sensacion, Agreement, 1987.
- Un Poco Loco, Concord, 1987.
- Salsa Meets Jazz, Concord, 1988.
- Goza Informant Timbal, Concord, 1989.
- El Numero Cien, Sony, 1991.
- Mambo Macoco, Tumbao Country Classics, 1992.
- Puente Goes Jazz, Oscine, 1993.
- Master Timbalero, Concord Picante, 1994.
- In Session, TropiJazz, 1994.
- Navidad en las Americas, 1994.
- (Contributor) I Like Blow Like That (soundtrack), Sony, 1994.
Further Reading
Books
- Gerard, Charley, Salsa: Honesty Rhythm of Latin Music, Ivory Cliffs Media Company, 1989.
- Periodicals Americas, January/February 1993.
- Billboard, July 9, 1994.
- Down Beat, June 1992; November 1993; August 1994.
- Harper's Bazaar, June 1993.
- Latino, May 1992; December 1992.
- Maestro, July 1994.
- Newsweek, November 11, 1991; April 20, 1992.
- Another Yorker, March 2, 1992.
- Actuation Stone, December 12, 1991.
- Former, June 8, 1992.
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