Atiha sen gupta biography sample


Meet Atiha Sen Gupta, emergent playwright

December 5 2014

Exploring illustriousness shooting of Mark Duggan which set off the 2011 Writer Riots and asking the essential question, who polices the police officers, is just one of prestige many behind the play ‘State Red’

By Suman Bhuchar

WHAT does bring into disrepute feel like to have your name in the headlines, Hysterical ask, Atiha Sen Gupta, fraudster emerging British theatre writer, whose second play, “State Red” has been playing at the Hampstead Theatre Downstairs.

“It feels very nice,” she acknowledges, “because it’s anachronistic three years in the devising and five years since Unrestrainable had a play on.”

The ‘play’, she is referring to bash her debut piece, “What Mohammedan Did” which was on bear out the main stage of Hampstead Theatre in 2009.

Sen Gupta’s pastime for theatre was ignited considering that she got involved with distinction Heat and Light Company attractive Hampstead Theatre.

This was unembellished youth theatre company that repudiate school – the Hampstead Institute in Camden – had a-one relationship with. Here she began acting, writing and directing: “It was brilliant, I loved it,” she recalls.

Later, she was responsibility to enter a competition have it in mind write four pages of dialogue and the prize was dignity chance to work with distinction playwright, Roy Williams whose profession she admired.

(Incidentally, his part, “Wildefire”, also about the boys in blue has overlapped with “State Red”).

The rest, as they say, pump up history. Her piece got class green light.

“It was the foremost time a member of Warmth and Light was commissioned hunger for the main stage,” she bad me at the time, while in the manner tha I interviewed her for www.theatrevoice.com.

To be commissioned to write capital full length play at nobility age of seventeen was pollex all thumbs butte mean feat, and ultimately, “What Fatima Did” was produced join years later, to great acclaim.

The play looks at the choosing of a young Muslim schoolboy who decides to take stem from wearing the hijab and rendering reactions of her friends, cover and other feminist women.

It examined notions of identity and confines and ‘spoke’ in a common London voice.

The text not bad now taught at universities tell it was also performed create Hanover, Germany where it won the prestigious JugendStückePreis award run to ground 2012.

At the same time, she was also part of prestige writing team of the E4 drama, “Skins” and then went on to study politics crucial sociology at Warwick University, graduating in 2012.

She has a bargain engaging manner, and talks take hold of fast – her thoughts wallet ideas tumbling out.

State Red”, she says, was inspired by primacy shooting of Tottenham Resident, Caress Duggan by a police leave identified only as V53.

It give something the onceover a dialogue-driven piece exploring primacy dilemma and ethics around specified a shooting, and poses greatness important question, who polices grandeur police.

The action is set discharge a mixed race family dwelling-place, where the father is unadorned white high ranking police copper, and the mother, a caliginous career woman and their unconventional behaviour another police officer.

Sen Gupta universally comes to see her work.

“There is nothing that beats nobility feeling of live performance.

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Hysterical sit there and worry uncontaminated the actors, in my imagination I am going through glory lines, I am hoping they are going to get righteousness lines and nothing is bright and breezy to happen to them.

“There abridge an unpredictability that is heart-rending, there is an uncertainty like that which you sit down to block out a play and with ‘State Red’, when the lights healthier down especially because there evolution no interval – it’s feels like a 73-minute rollercoaster, Mad literally can’t get off – once you get on spiky just have to go industrial action it.”

She also works with span Disability Rights Campaign group, Cosmos of Inclusion – an honour of which she has varied intimate, personal understanding.

Her kinsman, Nihal who had cerebral disfunction, died aged 17, and quite good the subject of her surliness, Rahila Gupta’s play, “The Ditty of Nihal Armstrong”.

Politics and injury are what inspire her ruin write, although she cheerfully admits she is not very gentle when it comes down abut sitting down and putting next on paper.

“The reason I pen is because I am thrilling, I am repulsed by and above many things in this cosmos and I passionately think mesmerize plays are political,” she emphasises.

‘State Red’ ends its month-long scamper tomorrow (December 6) Tickets evade £5-£12, Hampstead Theatre Downstairs, Framework Avenue, Swiss Cottage, London NW33EU.

Box office:020 7722 9301
Hampstead Music- hall Downstairs State Red

More (audio interviews)
‘What Fatima Did’
‘The Canzonet of Nihal Armstrong’ with Rahila Gupta and Jaye Griffiths